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What is the HOLY TECHNIQUE?
The wood is treated and dried for two years.
Five layers of mixture (piece of chalk powder, rabbit skin, water)
are applied on the wood for five days. The model is sketched in pencil.
After, the model is carved into the layer. The same mixture is filled
into a special syringe. With the tip of the syringe we hand ornate a frame around
the painting, similar to ornate a cake. The gold and silver leaf are applied. The painting process
is started; we start by painting the flesh elements, going from light to dark. We use mineral
colors and pigments (egg yolk tempera colors). After, we use a technique to make the icons
glance older. We finish the icon with three layers of natural lacquers. During the process the
Iconographer must follow a religious discipline (fasting and praying).
What is an Icon?
Icon is a Greek word that means image.
The word has come to usually mean sacred image, though it really means much
more than that. For most of this document we will be talking about icons as
sacred images, but in order to fully understand what we mean, we'll start
with a much more specific and narrow definition.
When God
created humans (see Gen. 1&2) he endowed our forbearers with His divine image and
likeness.(Gen.1:26-27). In
the discussion that follows, when we talk about the
Icon as an "artistic representation", we are ultimately
talking about the attempt to represent that "image of God" in and through the person of
the one portrayed. With that in mind, let us consider the icon as an
artistic and spiritual representation of a sacred person or event. Given
that context, the subject of an icon is some person such as Christ, Mary
the Theotokos (mother or bearer of God), an Old or New Testament figure
such as Abraham, the Prophet Elija, or an Apostle, etc., some hero of
the Church, such as St. Nicholas or St. Herman of Alaska, or some event
from salvation history, such as the Nativity of Christ, the
Resurrection, or an Ecumenical Council. And Iconography is the spiritual
art of expressing the spiritual reality of these people and events using
sacred symbolic forms and mystical colors. An icon, in fact, manifests
our human participation in the divine through its symbolic pictoral
language. The Incarnation of Christ (God made man, and thus visible) is
the theological foundation of the icon, which seeks to reveal the divine
through visible and familiar content. In this sense, the icon has been
called "a meeting between heaven and earth".
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